After mentioning their name, someone asked how their music
sounded. "Sigulka is Sigulka" I replied, aware that the
explanation was so obvious that it could have produced
perplexity who was expecting a more clear and simple
answer. However, anyone who has heard their music
knows that this is a fairly accurate definition will distort
the following lines, in the awkwardness of explaining the
uniqueness of his style.
Written by Ana Manzano Peral
Sigulka is something so simple and so complex as
crossbreeding. It is iron and silk, rock and water. Sigulka
is joy, vivacity and party, wings, roots and dreams. It also
is the beat of the Black Sea Black Sea, Celtic heart and
rhythm of rock. Sigulka is ... Sigulka.
Probably the disparate origins of its five components is the
main element that ensures that each chord is unique yet
indispensable in a string of sounds that no one can remain
indifferent to the embrace of its rhythm.
While the music plays, Sigulka completes every small space
that you can see with a river of light and symbols that
connect the music without timidity, with the symbols of
medieval Celtic culture that are drawn in in the Book of
Kells or in the Durrow.
Drawing divine lines, scenery and Sigulka’s music
intertwines in almost impossible dance, incredible knots and
thousands of sounds, tied together being the end, results in
the beginning as happens in as a complete circle
For the lucky ones who one day hear their music, the group
has produced Blackstorm, an album that from its name evokes
dreams, storms and legends.
Sigulka, lest that nobody forgets, is Sigulka.
Translated by Karin Eckhard